For all writers. The process is supportive and not academic. Our goal is to elicit strong, beautiful, honest writing through encouragement, feedback, and practice.
Join with OHCA resident poet Cruwys Brown and 2010-2012 Poet Laureate of Marin County, CB Follett for an afternoon of poetry exploration, reading and discussion.
Both the Gallery and Loft in June are must see shows. In the Gallery Fiber Show, the artist talk will be at 4pm and the reception at 5:30 - 7:00. In the LOFT, Wo's reception starts at 5:30 with an artist talk at 6:30.
Using Ann O’Hanlon’s book, seeing/perception, as inspiration, Cayen and Candis lead discussions of what we see when we look at the artworks of others or our own.
For all writers. The process is supportive and not academic. Our goal is to elicit strong, beautiful, honest writing through encouragement, feedback, and practice.
Join with OHCA resident poet Cruwys Brown and 2010-2012 Poet Laureate of Marin County, CB Follett for an afternoon of poetry exploration, reading and discussion.
Using Ann O’Hanlon’s book, seeing/perception, as inspiration, Cayen and Candis lead discussions of what we see when we look at the artworks of others or our own.
For all writers. The process is supportive and not academic. Our goal is to elicit strong, beautiful, honest writing through encouragement, feedback, and practice.
This hands-on, one-day encaustic basics workshop is a great introduction if you have never worked with encaustic wax or if you need a refresher in using warm wax as a painting medium.
For all writers. The process is supportive and not academic. Our goal is to elicit strong, beautiful, honest writing through encouragement, feedback, and practice.
Join with OHCA resident poet Cruwys Brown and 2010-2012 Poet Laureate of Marin County, CB Follett for an afternoon of poetry exploration, reading and discussion.
This evening from 5:30 to 7 pm visit Naomi and see her solo show: PLACES Real • Imagined • Reimagined Recent Work by Naomi Tamura IN THE LOFT Part of the First Tuesday Artwalk in Mill Valley.
Using Ann O’Hanlon’s book, seeing/perception, as inspiration, Cayen and Candis lead discussions of what we see when we look at the artworks of others or our own.
